29
Oct
09

The end of rock ‘n’ roll?

I wrote this as a comment to a friend on FaceBook when my wife suggested I post it in my blog. This started as a response to the following article: Rock music is dead, and all the Rock Band in the world won’t save it. I didn’t really intend to make a point-by-point rebuttal of what I didn’t like about the article, but I’ve found that the demise of “rock music” is a very popular subject of debate in musical circles.

Everyday is the end of rock “as we know it”, but it’s not the end of rock. If you were a metalhead in the 80s and 90s, the Metallica era is pretty much over “as you know it”, but there’s still music that is rooted in metal.

I think there’s something to be said about RB/GH being the ultimate commercialization of music, but I don’t think that means rock music is dead. I think the article does bring up a good point regarding hip-hop and rap filling a gap that rock once filled, at least in the mainstream. Jay-Z’s last two singles (“Run This Town” and “DOA”) are (at least to me) more musically interesting than 95% of what’s going on in mainstream rock right now. However, this doesn’t mean rock is dead. Both of those songs, while being firmly rooted in the hip-hop genre, borrow heavily from a palette developed in rock music (with “DOA” sampling Steam’s classic “Na Na Hey Hey Kiss Him Goodbye”). What it does mean is that rock is continuing to do what it’s always done, evolve.

Yeah, kids are way into video games right now. Good for them. I started playing video games when I was 5. I still play video games. I didn’t start playing guitar until I was 15. Video games didn’t prevent me from being creative. I don’t think it’s going to be hugely detrimental to today’s kids either. … Read More

I don’t agree with the writer’s belief that more hip-hop albums have been sold in the past ten years than rock albums. Yeah, it’s a terrible excuse for rock, but Creed and Nickelback have put up some ridiculous sales numbers in the last decade. I know Kanye, Lil’ Wanye and Jay-Z have done the same for hip-hop but the reality is that general pop music (ranging from Taylor Swift to Britney Spears) has demolished them both. Bubblegum pop has done that for decades. As far as “no new stars in the last five years” in rock…is that any different than any other genre over the same time or for rock during any other period?

Rock ‘n’ roll will survive another lull in music sales. While there isn’t a current big, new face of really any rock style, I don’t know that it matters. What matters is that the hugely famous acts of the past are being perpetuated through a slew of new, young acts spanning rock styles. Check your local listings for some shows in your town, I guarantee that more often than not you will find that rock isn’t dead in your city. It doesn’t look like what it did in 1973 or 1986 or 1992, but neither does your hairline.

09
Oct
09

Re: Hot Topic Punks in a Fake Punk World

Every day I read the headlines on Yahoo. I read a lot of articles and shortly afterward wish I had that 90 seconds of my life back. Rarely do I find articles that I find so frustrating that I decide to write about them. Previously, I have written about Jericho Scott and well…nothing else that I’ve found on Yahoo.

But recently I stumbled on a blog entry titled, “Hot Topic Punks in a Fake Punk World”. Growing up in what I felt like was the heyday of pop-punk (mid/late 1990s) and having an ongoing interest in marketing and the commercialization of musicians and their music I felt compelled to read the article.

I can’t honestly say that the authors thoughts on the topic don’t echo my own. The problem I had with the article was that his criticism comes half a decade (at least) too late. Avril Lavigne hasn’t had a hit since 2007. Blink 182’s last album came out when I was still in college.  Yes, Hot Topic has done a lot to water-down music trends and market genres, but that has been going on for years. I remember being told in high school that MxPx sold-out when they released “Slowly Going the Way of the Buffalo”…that was 1998.

More than anything the article bothered me because it felt uninspired, yet I suppose it inspired me to write this. Whether it’s Dave Matthews/John Mayer/etc. on college campuses, the latest Miley Cyrus clone, 50 Cent vs. Kanye or the punk-rock status of Green Day/Blink 182/Avril/whatever, commercial enterprises will continue to find ways to manipulate trends and market their products to their desired demographic. It’s nothing new to take a trend in music and pervert it to the needs of commercialism. I wasn’t old enough to remember, but I bet Sears and JC Penney sold ton of flannels riding the coat-tails of Kurt Cobain in the early 1990s, and Hot Topic selling tight jeans and eyeliner to appeal to a generation that thinks it has the market cornered on “emo” is no different.

As a people we just need to find a way to sift through the mess that is music marketing and decide for ourselves what is good and what isn’t. We need to figure out what we want to wear and decide that we’re going to wear it because it makes us feel good about ourselves, not because it was featured in the latest Britney/Gaga/Attack! Attack! music video. Most of all we need to realize that people are people, and there are reasons that people do things (marketing/conviction/for kicks) that we cannot understand unless we take a moment to listen to what others try to say with the way they live their lives. Only when we listen can we also have meaningful discourse and determine what music/fashion/art truly means to the individual and how these things can impact or be impacted by positive change.

09
Oct
09

Nobel Peace Prize…

Does anyone really care about this award? Yes, Obama was given it, but can anyone name any of the other recipients from the last decade besides Al Gore and Jimmy Carter?

I know it’s en vogue to criticize the President for anything he can be criticized on, but in this situation I don’t really think the issue is Obama. The issue is an overzealous committee that is trying to fulfill some need to be current by pushing Obama into his role as spokesperson…not of the United States, but of the free world in general.

Fortunately, the Nobel Peace Prize is a honor that is quickly forgotten. In twelve months, the majority of Americans will have forgotten that Obama was a recipient and almost no one will care within a decade. It will be a hot-button topic for a few days…maybe weeks, but soon enough we’ll find something else to fault the President on.

08
Aug
09

#18: Gran Torino

I realize this movie came about about 6 months ago. I never had the chance to see it in theaters, but was able to borrow the copy my parents’ rented from Netflix and watch it tonight.

I’ve always considered myself a Clint Eastwood fan. Granted, I haven’t seen every Eastwood film, but I have yet to see an Eastwood film that I didn’t enjoy. Of course it’s quite possible that my fascination with some of his classic characters (the man with no name, Dirty Harry, etc.) has convinced me that I can enjoy everything he is in.

Gran Torino was a very interesting film for me. There were parts of it that seemed over the top and there was definitely some rough acting, but something about the film resonated with me. In both of the main characters (Walt and Thao) I found elements of myself that I struggle with from time to time. In brief, Walt is an old haunted by ghosts of his past that he doesn’t want to talk about. His wife has just died and because of his past he was never able to connect with his children. The boy, Thao, is naive,  quiet and comes off as weak. He has yet to begin to forge his own path in life and is torn between doing what is right and what is easy.

In these two characters I saw my non-expressive nature and the naivete of my age. I recognized and identified with their reserved beginnings and their desires to take the next step in their lives. This is where I felt the movie excelled. I found the plot of the film and its execution to be very honest and real. The evolution of these two characters through their interactions with each other and their respective cultures exemplified both the ability of individuals to reach out to each other across generational and cultural barriers.

Overall I really felt like this film was simple enough to understand, but also something that was able to be enjoyed at a more complex level. I appreciated how it took a displaced culture (the Hmong) and explored their interactions with an old-school (perhaps too much so) American. This isn’t an easy film to watch for people sensitive to violence (though the most violent part of the film isn’t shown, only it’s aftermath), blatant racism or general coarse language, but the film certainly uses those elements to build the story rather than detract through flippant abuse. While I wouldn’t recommend this film to just anyone, I do feel like it’s something that most viewers could sit through and appreciate.

29
Jul
09

It’s been a long time coming…

Wow…my writing time has really gone downhill. Here and there I get ideas on things to write about, but by the time I get a chance to write the moment (personally or historically) has passed me. Additionally it seems like most of the people I read have stopped posting as well, which isn’t a great motivator to even check in on this.

The past few months at my church have seemed like a drastic transitional period. We’re expanding into new areas while simultaneously contracting in others. About a year ago, a ministry I was heavily involved in was canceled in favor of a less personal, more energetic and less volunteer intensive program integrating heavy reliance on parent participation away from church. Now that program is being morphed into something that resembles (just based on reading on the church’s website) a hybrid of the two programs. At the same time other facets of the church have changed. In June our music director left due to a change in his wife’s employment leaving a leadership void. At about the same time, my wife took a sabbatical from playing piano giving us a total loss of two, about 20% of our music team. One family, the head of our nursery and a deacon, is currently traveling to the East Coast on a military move while another family is looking at heading east in early 2010. Two other families moved outside of the church area last spring.

Still this church continues with its plans. While we expand our sights to other parts of San Diego County we rely on new growth to sustain our strength (financial, physical, mental…) in numbers. As an aware congregation member, it’s hard to see new growth and still feel like it’s barely keeping up with the rate of attrition and I can’t imagine what that feeling is like for church staff, paid and unpaid alike. It’s a strange feeling to look at this all through short context of time I’ve been at the church. In the six years I’ve been there, we’ve seen five different head pastors. Despite a downward growth trend over the last few months, it’s hard to keep the perspective that just a few months ago the church numbered higher than it had been at any other time I’d been there and that just a few years ago a pastoral leave followed by a pastoral death and some brutal church politics ended with about half of the church (for one reason or another) leaving.

Occasionally I remember that churches, like business aren’t static entities, or at least they shouldn’t be. Christian churches often make themselves analogous with the human body or with a living organism, yet they fail to think in stages and end goals. Just as humans aren’t born as adults, corporate entities don’t start out in the form they will achieve at the apex of their growth. It’s easy to get caught up in the short term, “what the heck is going on?” mentality and start looking for the  life jackets when things aren’t looking up and even easier to lock into a fixed, dogmatic approach when things are going well. While the long-term goals remain unchanged, the methods used to reach those goals cannot remain static if the entity wishes to survive. The “well this is the way we did it in 1987″ mentality has to be abandoned when it’s 2009 and attendance is in decline. Certainly there are exceptions to this, but on the whole I feel that many churches, like many businesses in our recent recession, are beginning to wake up to the problems of their rigid, dogmatic approaches with only a sliver of hope for recovery. This isn’t to say that these entities will necessarily fail but that dynamic creativity could have prevent the crisis period altogether.

The real difficulty is ascertaining what will work and what is failing before it’s too late. In churches, even the most minor change can be devastating. I spoke to a woman this past weekend who asked me about the cost and usefulness of electronic drum kits. We talked about whether or not it was viable for the church to get a traditional kit and (among other things) was told that since this would be the church’s first drum set they wanted to ease the congregation into the idea of using drums in church. Unfortunately this isn’t uncommon. The idea of leaving a church over the incorporation of drums seems like an absolutely trivial thing to my young, Southern California church mentality, but it is an absolute reality for an entire generation or two of American churchgoers. Whether it’s a decision on coffee carts, drums or the pastor wearing a tie or a polo, church leaders are bound to offend someone when they decide to make a change. People view changes made outside of their control or in opposition of their preferences as a threat to their existence. Coffee inside of the church building wasn’t allowed in 1979 or 1989 when the old guard held power, and when it is allowed in 2009 it becomes symbolic of a passing of the guard and the demise of a generation’s sensibilities.

The growth of churches that got their jump start catering to the college crowd (for me, circa 2002, it was Flood and for some of my friends it was The Rock, I couldn’t tell you what San Diego churches fill that void now) has widened the gap between age groups by giving many 20-somethings the impression that these large, concert-esque services are the ideal way to fill seats and spread God’s message. These services are something older generations often simply do not connect with, not because the methods of these services are necessarily wrong, but because “that wasn’t how it was done in 19xx”. They see the darkness and the loudness as excessive pandering to secular culture. Meanwhile, the “rock concert” worship team (Crowder, Tomlin, etc.) has become an ideal in the mentality of many young church-goers who become enamored with the (generally) simplistic language, uplifting message and emotional atmosphere delivered in these types of services.

In many ways, these differences are reasons to be glad for the plethora of churches and church styles. Some people want the intimacy of the small church atmosphere. Others prefer being part of a large church that is capable (because of sheer manpower) of having a multifaceted approach to ministry. Plenty of people want their church to either be more contemporary or remain rooted in the evangelical traditions of previous decades/centuries/millenia. Instead of celebrating our common bonds though, we use them as leverage for complaining. We visit other churches that move us at some level that doesn’t happen in our regular churches then complain about how our regular churches aren’t doing things like the place we visited. Now, not all complaining in church is bad. Certainly there are things that are worth taking a stand on, however more often than not we take our passive-aggressive attitudes into church and sit there, arms folded, showing everyone else that we are there because of duty, not because it’s where we actually want to be.

I’m guess I’m going to end this extended diatribe with the following: if you aren’t happy with the church you’re at, then either look beyond the surface of your church to find reasons to be happy with it, positively affect changes in the church to make it the church you want, or go to the church that you want to be at. Growing up in a given church or being a member since 19xx doesn’t grant you the priviledge of dictating church policy or moping around when policies aren’t to your liking. There’s nothing dishonorable about leaving a church because you’ve outgrown it, or because it has outgrown you.

26
Mar
09

#17: Delancey – The Real Thing Can Be a Bad Idea

This could be a sign that I’m a terrible person. I’m finally starting to catch up on album reviews…for albums I received last summer.

Saturday morning I had to make a half hour drive from my home out to see a friend of mine. I decided that since I had a couple drives like this coming up I would listen to a couple albums I had yet to review. I’d heard tracks come up on my iTunes for several months, but I had yet to sit down with Delancey’s the real thing can be a bad idea. From a cursory listening, I thought I knew what Delancey was all about: poppy, piano and acoustic guitar driven songs featuring a male lead and female harmonies. I hadn’t really paid attention or spent much time thinking about what was actually going on in the songs, and that was my problem.

The real thing…is a really enjoyable effort. It isn’t without fault, but it would make a great sunny afternoon drive sort of album. The album starts off strong with “The Mule I Once Was” and tracks like “The Perfect Game” and “Why Are We Here” are definite sugary standouts. Unfortunately the band takes a slight detour for it’s cover of U2’s “With or Without You”. I understood what the band was trying to do with their rendition, but I felt that it would have been stronger had they adapted the song closer to their own style. As it stood, the track felt uninspired, particularly when compared to their take on the Beatles’ “In My Life”.

Overall I really enjoyed listening through this album several times over the past few days. It’s short and left me wanting more, but the songs themselves grew better with repeated listenings. Delancey hasn’t put anything out recently as far as I can tell, but the real thing can be a bad idea is available for purchase at CDbaby.com. they have some newer quick demo recordings up on their own youtube profile. Hopefully we can look forward to some new music from the band soon.

19
Mar
09

#16: All Good Things…

In 1994 episode # 176 of Star Trek: The Next Generation aired. It was the 25th episode of the 7th season of the show and the last episode of TNG that would be made.

Like television shows, eventually bands will end and our favorite artists will either die or call it quits. Some bands have ugly break ups and never play another show. Others go on mutual breaks and never reform. The rest will put together a final effort and play one more for their fans.

On January 30th, I went to one such final show at Canyon View Christian Fellowship in San Diego. Some friends of mine, Fighting For Nineveh, were playing their last show as a band. Being able to see some friends of mine play thier last show really got me thinking about endings. As I sit and write this on the eve of what has been tagged as my band’s last show I think about timing and how some bands call it quit at the top while others peter out over time.

Back in 2003 I was able to attend Five Iron Frenzy’s last show in San Diego. It was part of the sarcastically titled “Winners Never Quit” tour. As a teenager I spent hours upon hours listening to Five Iron Frenzy, learning their songs on guitars and chatting up their message board. I remember going to that show, the only time I saw FIF, and feeling an overwhelming sense of gratitude to the band for playing the show, putting out albums and being part of my musical adolesence…

and really I feel like that’s the reason bands should play last shows rather than just fade into obscurity. Maybe your band is like mine…a small time group that never played outside of your local scene and over the course of time built up a modest fan base, or maybe you’re in a band like Five Iron Frenzy or something even bigger. I’m wary to say that bands owe their fans one last show, but if the band is up for it, playing one more show/tour for the fanbase is a win-win situation for everyone.

09
Feb
09

#15: The Grammys

Every few years I actually watch the Grammys and pay attention. Really the biggest thing I took away from this year’s Grammys is that Alison Krauss is a Grammy magnet. In the last 18 years, Krauss has picked up 26 Grammys, including five at the ‘09 awards show.

Other than that, I felt the Grammys were lackluster. I wanted to enjoy the performances more, but the audio quality really detracted from that. I’m sure it sounded great in the building they were in, but over the television…not so much.

Though I missed out on some of the earlier performances of the evening like Taylor Swift and Stevie Wonder, I really enjoyed what I could make out of Radiohead’s “15 Step” and T.I. and Justin Timberlake’s “Dead and Gone”. I also enjoyed seeing Sir Paul break out an old Beatles tune with Dave Grohl’s unkept hair flailing aimlessly.

I really didn’t see enough of the show to have an overall feeling for whether or not it was better or worse than other shows I’ve seen, but I definitely enjoyed the parts that I watched.

04
Dec
08

#14: The Kris Special at the Soda Bar.

Back in November ‘07 my band along with a project I was involved in played with The Kris Special at Cornerstone Church in Poway, CA. Based in Los Angeles, The Kris Special was relatively unknown in San Diego and was just looking to pick up a show in the area to kick off their fall tour. I ended up buying their album, Alone Feels like a Hotel Room after their set and was planning on writing about it here…

Instead I’m going to write about playing another show with the Kris Special on November 30th, 2008 at the Soda Bar here in San Diego. Sometime between then and now, The Kris Special went from a straightforward indie-rock three piece to a minimal, yet so much more complex two-piece. Now, I can’t honestly say I remember much about the show we played with them a year ago. It’s hard to take in different aspects of a band when you’re not familiar with their music. In the year that passed, I became familiar with the Kris Special through their recordings, and the picture that they painted on my ears was not the band that I saw last Sunday.

On Alone Feels Like a Hotel Room, the Kris Special sounds good, but live they sounded great. Maybe it was the loss of a bass player, or just something I missed the first time around, but what guitarist/vocalist Anne Pointer and drummer Nick Schutz create live is both inviting and mind blowing. While Anne’s voice and guitar invoke pictures of California’s wind-swept High Desert, Nick’s drumming brings a complex, yet appropriate element to the music. Overall the band has struck an incredible balance between extremes by using a bit of both.

The Kris Special is currently on tour across the Southwest and already has several shows booked for their return to the Greater Los Angeles area. If you get the opportunity, definitely go and check them out. You can sample their music and get a look at upcoming shows on their Myspace page.

31
Aug
08

#13, Part 2: The Continuing Jericho Scott story…

Here are some more thoughts on the topic of my previous post, derived after reading another few articles.

Here’s some more information I was able to find According to this piece, he is not pitching every game and kids in his alternate league aren’t afraid of him and claim to have success against him. Here’s the article that the source above quotes, written by Dave Solomon of the New Haven Register. Solomon notes inconsistencies on both sides of the fence, stating that Jericho’s team added both him, and another “all-star” (a player from the alternate league) in mid-August in order to make a playoff run. Solomon interviewed parents in the Liga Juvenil (the league in question) and at least one parent does describe the league as a “fun” league. Solomon also points out that after being brought to the team, Jericho pitched eight innings over two days, and five more innings three days later (the days are a Saturday, Sunday and Wednesday).

I do have a problem with that. From the article, it sounds like in the process of being a new league, and a “fun” league, the league has not had the foresight to put rules in place to prevent things like this happening. In Little League baseball pitchers at this age are not allowed to pitch more than 6 innings per week and must have three calendar days rest after throwing four or more innings. Not having a rule like that in place runs the risk of hurting the pitchers from overuse, and leads to the potential of ruining the league.

Solomon also pointed out that the championship team from the previous two seasons tried to get Jericho on their team but were denied and that there are other kids in the league who nearly as hard as Jericho but are much wilder, implying that these kids actually pose a greater threat than Jericho does. On further consideration, I do agree with Solomon that if this league is supposed to be a fun league why are they crowning championship teams? I would find it a little odd if they didn’t keep score at all, but the implications of the article are that, at least among some of the adults in the league, being part of (sponsoring, coaching, whatever) the championship team is an important thing.

Of course, as noted in Solomon’s article, I have to wonder what sort of system is in place that would allow a team that already has a perfect record (4-0 at the time) pick up two kids from the “all-star” league. As I noted earlier, it sounds like this league’s rule system isn’t very well structured and as such, instances such as this occur and cannot be handled within the rules because rules don’t exist that can handle the situation. While the league does have a pitch count rule, it doesn’t sound like it has a total innings pitched/pitches thrown per week setup. Implementing something like the 6 innings per week/3 days rest after four innings system used by Little League baseball would prevent these sorts of things from happening.

Implementing a draft system for players overseen by league officials with set guidelines will generally prevent teams from being able to stack talent. It’s not a foolproof system, and won’t work if coaches make poor draft decisions, but certainly it is better than the outright recruitment system that is not working in the best interest of the league. In this type of system, the league would hold a tryout where coaches would be able to rank the players based on their skills and teams would enter into an ordered draft to pick the players. Any players that will not be able to participate until later in the season still need to try out and be eligible to be drafted by any team, that team will just have to play with an empty roster slot until that player is available.